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Australian Literary Criticism: Future Directions

Henry Kendall’s Religion

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

How Newness (Not) Comes into the World: Eva Rask Knudsen’s *The Circle and the Spiral*

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

'Tipping the Scales': Introduction to Australian Literary Studies Literary Value Special Issue

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Francis Adams: Realism and Sensation in the 1880s

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

Interview with Christina Stead

Christina Stead: A Checklist

After Libertarianism: An Interview with Michael Wilding

‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan Moorehead

On Appropriation: Two Novels of Dark and Barnard Eldershaw

Unknown Australia: Rosa Praed’s Vanished Race

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Literary Aspiration and the Papers of William Gosse Hay

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism