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‘…The Wild Assertion of Vitality’

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Decomposing Suburbia: Patrick White’s Perversity

Society of Women Writers 1925-1935

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Unknown Australia: Rosa Praed’s Vanished Race

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

‘That Wild Run to London’ : Henry and Bertha Lawson in England

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

Recollections Through English Spectacles

Review of Letters of Norman Lindsay

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’

Translating for the Australian Stage (A Personal Viewpoint)

Review of *Xavier Herbert* by Laurie Clancy

Fathers and Lovers: Three Australian Novels

Mansfield and Richardson: A Short Story Dialectic

Interviewed by Martin Harrison

Sheer Voice and Fidget Wheels: A Study of 'Five Bells'