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‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Un-Australian Activities?: Mary Gilmore’s Versions from the Spanish

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Neither Here Nor There: Suburban Voices in Australian Poetry

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Excavating a Bonanza: Sarah Campion

The Literary Reputation of Adam Lindsay Gordon

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony Lawrence

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic Primitivism

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism