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- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- Parliamentary Medievalism: The Australian Magna Carta as Secular RelicEssay1 November 2011
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- Christina Stead’s Student PublicationsEssay7 December 2016
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- Annual Bibliography of Studies in Australian Literature: 1985Essay1 May 1986
- Annual Bibliography of Studies in Australian Literature: 1991Essay1 May 1992
- Annual Bibliography of Studies in Australian Literature: 1997Essay1 May 1998
- Annual Bibliography of Studies in Australian Literature: 1995Essay1 May 1996
- Annual Bibliography of Studies in Australian Literature: 2002Essay1 May 2003
- Annual Bibliography of Studies in Australian Literature: 1998Essay1 May 1999
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Irish Republicanism and the Colonial Australian Bushranger NarrativeEssay30 September 2021
- ‘Taking a Risk’: Disability, Prejudice and Advocacy in the Editing and Publishing History of Ruth Park’s *Swords and Crowns and Rings*Essay23 May 2022
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024