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- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Mid-Victorian Reading and the AntipodesEssay1 May 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Singing up Country in the Poetry of Judith Wright and Pablo NerudaEssay1 November 2008
- The Telling of Marmel’s StoryEssay1 June 2009
- Tainted Testimony : The Khouri AffairEssay1 October 2004
- ‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*Essay1 October 2005
- ‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern ReaderEssay1 May 2006
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’Essay1 May 2007
- Friendship in a Time of LonelinessEssay1 May 2009
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012