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- Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*Essay29 October 2020
- **Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**Essay15 December 2025
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Out from the Shadows: The Realist Writers’ Movement, 1944-1970, and Communist Cultural DiscourseEssay1 October 1992
- Annual Bibliography of Studies in Australian Literature: 2001Essay1 May 2002
- **Aboriginal Mobilities and Colonial Serial Fiction**Essay30 April 2021
- What Created, What Perceived?: Early Responses to New South WalesEssay1 October 1975
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- A Decade of ComplaintsEssay30 October 2023
- Annual Bibliography of Studies in Australian Literature : 1964Essay1 June 1965
- Convict Legends, Australian Legends: Price Warung, the Palmers and Others, 1927-1970Essay1 May 1980
- Review of *Australian Literature a Reference Guide*, comp. Fred Lock and Alan LawsonReview1 October 1980
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- Some Major Themes in the Novels of Katharine Susannah PrichardEssay1 June 1963
- English Studies: A Personal JourneyEssay1 June 2013
- Jack Lindsay, P.R. Stephensen and the Publication of D.H. Lawrence’s PaintingsEssay1 October 1979