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- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Les Murray’s Talking MosaicsEssay19 December 2024
- Repairing Rationality: Max Bense and the Automation of Literature in Post-War GermanyEssay22 December 2025
- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- Society of Women Writers 1925-1935Essay1 May 2004
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Interview with David MaloufEssay1 May 2010
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Cooper, Cather, Prichard, 'Pioneer': The Chronotope of Settler ColonialismEssay1 June 2016
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Irony Machines: Artificial Intelligence, Literary Language, and the Opacities of TrustEssay22 December 2025
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- ‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short StoriesEssay31 October 2015
- Marcus Clarke, the Two George Eliots, and the History of Two NewspapersEssay31 October 2015
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993