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- Barry Oakley and the Satiric ModeEssay1 May 1975
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- An Absence of PartisanshipReview1 May 1997
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Delight and Revolution: Literary Studies, Aesthetics and IdeologyEssay1 June 2013
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012