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- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- ‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay FictionEssay18 December 2023
- Review of *Australians Abroad* edited by Charles Higham and Michael Wilding, and *Morrison of Peking* by Cyril PearlReview1 October 1968
- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Contesting Enslavement: Marriage, Manhood and *My Brilliant Career*Essay1 October 2002
- ‘The Scope of Women’s Thought is Necessarily Less’ : The Case of Ada CambridgeEssay1 October 1972
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- Review of *Bodyjamming: Sexual Harassment, Feminism and Public Life*, edited by Jenna MeadReview1 May 1998
- Review of *The Devil and James McAuley*, by Cassandra PybusReview1 May 2000
- Review of *Stressing tile Modern: Cultural Politics in Australian Women's Poetry*, by Ann VickeryReview1 May 2009
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- EditorialEssay15 February 2016
- The Original Nosey AlfEssay1 October 1975
- The Suburban Problem of EvilEssay1 November 1998