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Conceptualising Irish-Aboriginal Writing

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Teaching the Value of Literature (and Other Paradoxes)

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Anthologies and the Amazonian Phalanx: Publication of Australian Female Poets from the 1940s

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Terms of Ambivalence: Cultural Politics and Symbolic Exchange

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

A.D. Hope and the Poetry of Allusion

Capricornia : Seasonal, Diurnal and Colour Patterns

How Australia’s Literary History Might be Written

Reading Byron in Kororāreka: *The Journal of Ensign Best*

Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian Gray

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

The Prototype of Richard Mahony

Review of *Vance Palmer* by Harry Heseltine

The Development of an Egalitarian Poetics in the Bulletin, 1880-1890

Some Volumes of Selected Poems of the 1970s, II

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)