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An Interview with Vivian Smith

Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’

Henry Handel Richardson Fifty Years On

Why Australia? Or Against the Fragmentation of English Literary Studies

Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

Henry Kendall’s Religion

Gay and Lesbian Writing and Publishing in Australia, 1961-2001

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

Irish Republicanism and the Colonial Australian Bushranger Narrative

Interpretation; or, AI’s Missing Algorithm

‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*

Perceptions of the Enemy in Australian War Literature

‘The Fullness of Life’: The Poetics and Politics of Jack Lindsay

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

Literary Criticism in Australia: A Change of Critical Paradigms?

John Grant: Australia’s First ‘Really’ Radical Poet

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry