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Olivia and Chloe: Fictions of Female Friendship

A Survey

The One-Actor Play in Australian Drama

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Imagined Counterpart: Outlining a Conceptual Literary Geography of Australia

Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Ern Malley and His Rivals

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael Weaver

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Grievous Music: Randolph Stow’s Middle Ages

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

**‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**

Recentring Water: Thinking with the Chain of Ponds