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- Words, Sticks and Stones: Keneally, Literature and Social ImpactEssay1 November 2013
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Interview with David MaloufEssay1 May 2010
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- The Tennysons in Literary AdelaideEssay31 October 2015
- From the Harp of Erin to Erin of the Harp with Thomas KeneallyEssay30 May 2015
- Coetzee’s WomanizingEssay25 February 2018
- ‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp ModernismEssay19 December 2019
- Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018Essay28 April 2020
- Some Poems of Judith WrightEssay1 May 1968
- The Writing of CapricorniaEssay1 May 1970
- Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’Essay1 October 1970
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Translating for the Australian Stage (A Personal Viewpoint)Essay1 May 1982
- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982
- The Evolution of George Johnston’s David MeredithEssay1 October 1983
- Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley WalkerReview1 October 1984