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The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

An Interview with Archie Weller

An Absence of Partisanship

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

Elizabeth Jolley’s Late Work

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Reading Dickens

‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820s

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

Poetry, Activism and Cultural Capital

Writing Places in the Spaces of AI

‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930s