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Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Randolph Stow’s *Outrider* and the French Voyager Poem

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Ern Malley and His Rivals

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

‘An Explosive Novel of Strange Passions’: Horwitz Publications and Australia’s Pulp Modernism

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

Review of *Commonwealth Literature*, edited by John Press, and *The Journal of Commonwealth Literature*, edited by Arthur Ravenscroft

Review of *Kenneth Slessor* and *The Banjo of the Bush: The Work, Life and Times of A.B. Paterson* by Clement Semmler

Review of *Critical Essays on Judith Wright* Selected and with an Introductory Essay by A.K. Thomson

Research in Progress in Australian Literature [1981]

Review of *Australian Melodrama: Eighty Years of Popular Theatre* by Eric Irvin

Editors’ Statements [Laurie Clancy]

Review of *Wild Man of Letters: The Story of P.R. Stephensen* by Craig Munro

Review of *Mapped But Not Known: The Australian Landscape of the Imagination*, ed. P .R. Eadcn and F.H. Mares

The Historical Source for Ada Cambridge’s ‘The Camp’