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- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- On Appropriation: Two Novels of Dark and Barnard EldershawEssay1 October 2002
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Coetzee’s WomanizingEssay25 February 2018
- **The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**Essay30 April 2021
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- Annual Bibliography of Studies in Australian Literature: 2008Essay1 May 2009
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023