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- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- The Literary Reputation of Adam Lindsay GordonEssay1 June 1963
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- The Telling of Marmel’s StoryEssay1 June 2009
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive SeniorEssay1 November 2010
- ‘Listen to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie ScarceEssay2 May 2023
- In the Club: Australian Crime Fiction in the USA 1943-1954Essay1 October 2012
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- Les Murray’s Talking MosaicsEssay19 December 2024
- Review of South Pacific Images, Patrick White's Riders in the Chariot, and H.H. Richardson's Maurice GuestReview1 October 1979
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018
- *Geoffry Hamlyn* Through Contemporary EyesEssay1 December 1966
- Review of *Literary Australia* by Clement Semmler and Derek WhitelockReview1 June 1967