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The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Review by Terry Sturm

Review of *Australian Literary Pseudonyms: An Index with Selected New Zealand References* compiled by Bruce Nesbitt and Susan Hadfield

Review of *Robert D. FitzGerald* by A. Grove Day

Review of *A Manifold Voice: Studies in Commonwealth Literature* by William Walsh; and *Literature in Action: Studies in Continental and Commonwealth Society* by M.C. Bradbrook

Marcus Clarke’s Contributions to *Notes and Queries*

*Etymspheres*

T. Inglis Moore

Review of *Ada Cambridge, Tasma and Rosa Praed* by Raymond Beilby and Cecil Hadgraft

Correspondence

The One-Actor Play in Australian Drama

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Maang: Bagaan Di (a Message for My Elder Sister)

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Review of *Australian Short Fiction: A History*, by Bruce Bennett

Review of *Reading Race: Aboriginality in Australian Children's Literature*, by Clare Bradford

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

The Company She Keeps: Demidenko and Imposture in Autobiography