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- Review of *The Jindyworobaks*, selected and edited with an introduction by Brian ElliottReview1 October 1980
- ‘Eyre All Alone’: Francis Webb as MythmakerEssay1 May 1981
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- Asia and the Contemporary Australian NovelEssay1 October 1984
- Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*Essay1 October 1983
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- Family and the Father in the Poetry of Les A. MurrayEssay1 May 1988
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- Truth beyond the Language Game: The Poetry of Gwen HarwoodEssay1 May 1976
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998