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‘Maurice Guest’ and the Siren Voices

Alan Seymour

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Poetry and Politics in Oodgeroo: Transcending the Difference

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

An Interview with Archie Weller

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Ern Malley and His Rivals

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

Reading Carey Reading Malley

An Indian without a Country

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

The Golden Fish: On Reading J. S. Harry

Counter-Poetics

Salt Scars: John Kinsella’s Wheatbelt