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- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Annual Bibliography of Studies in Australian Literature: 1990Essay1 May 1991
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into GermanEssay1 November 2015
- Shaw Neilson’s PoetryEssay1 December 1966
- Xavier Herbert: *Capricornia*Essay1 October 1970
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- The One-Actor Play in Australian DramaEssay1 May 1981
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- An Absence of PartisanshipReview1 May 1997
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Dying of Landscape: E.L. Grant Watson and the Australian DesertEssay1 May 1999
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003