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- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Review of *Teaching Australian and New Zealand Literature*, edited by Nicholas Birns, Nicole Moore and Sarah ShieffReview2 November 2018
- Australia’s ‘First’ DramatistsEssay1 May 1969
- James McAuley’s Captain QuirosEssay1 May 1987
- Tranter’s PlotsEssay1 May 1989
- Homages and Invocations: The Early Poetry of Robert AdamsonEssay1 October 1989
- Preying on the Past: Contexts of Some Recent Neo-Historical FictionEssay1 October 1992
- Charismatic Masculinity in David Malouf’s FictionEssay1 May 2010
- **‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**Essay30 April 2021
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain PoemsEssay30 June 2015
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- The Age of Appreciation: Reading and Teaching Classic Literature in Australia in the Early Twentieth CenturyEssay1 May 2006
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Christina Stead’s ‘Kelly File’: Politics, Possession and the Writing of *Cotters’ England*Essay7 December 2016
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022