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‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Review of *In Due Season: Australian Literary Studies: A Personal Memoir*, by Harry Heseltine

Review of *Cultural Translation and Postcolonial Poetry*, by Ashok Bery

Grievous Music: Randolph Stow’s Middle Ages

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’

Two Bibliographies : Hal Porter and Patrick White

A Bibliography of Judith Wright

Henry Lawson; ‘The Sliprails and the Spur’ at Pahiatua?

‘Richard Mahony’s Tragedy’

Authors’ Statements [Damien White]

‘Down at the Dump’ and Lacan’s Mirror Stage

Review of *Miles Franklin in America: Her Unknown (Brilliant) Career* by Verna Coleman

Christina Stead

Review of *Henry Handel Richardson* by William D. Elliott, and *Kenneth Slessor* by Graham Burns