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Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

The Hero’s ‘Fear of Freedom’ in Keneally

Walter Murdoch : ‘A Humble Protest’?

The Fortunate Flâneuse

The Poetry of Les Murray

Impossible Literary Histories

‘The Orange Tree’ and the Limitations of Poetry

Patrick White’s Novels and Nietzsche

Daniel Deniehy: A Checklist of Writings and Speeches

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian Exploration

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Italian Immigrants in Australian Fiction 1900-1950

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934

Still Life: Art and Nature in Vivian Smith’s Poetry

Ages of Reason: Ethics, Metaphor and the Work of Jennifer Maiden

Randolph Stow’s *Outrider* and the French Voyager Poem