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‘The Orange Tree’ and the Limitations of Poetry

*Geoffry Hamlyn* and Its Australian Setting

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

Byzantine References in *The Twyborn Affair*

Review of *A History of Australian Literature, vol 1 1789-1923, vol. 2 1923-1950* by H.M. Green, rev. Dorothy Green; and *A History of Australian Literature* by Ken Goodwin

Review of *The Australian Short Story: An Anthology from the 1890s to the 1980s*; *The Australian Short Story 1940-1980: A bibliography*; and *Lines of Implication: Australian Short Fiction from Lawson to Palmer*

Review of *Gwen Harwood* ed. Robert Sellick; and *Reading Australian Poetry* by Andrew Taylor

The Family Face: Martin Boyd’s Art of Memoir

Poets Versus Critics

Review of *White Apology and Apologia: Australian Novels of Reconciliation* by Liliana Zavaglia

Bushed

Literary Criticism in Australia: A Change of Critical Paradigms?

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Less and More: The Poetics of Trauma and Transition in Kayleb Rae Candrilli’s What Runs Over

Introduction

*The Sentimental Bloke* and His Critics

The Craftsmanship of Lawson Revisited