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- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012
- Rescuing Reading: Strategies for Arresting the Decline of Reading in Western Australian Newspapers between the WarsEssay1 October 2014
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016
- ‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and KindEssay7 December 2016
- Politics and Passion in Stead’s Late NovelsEssay7 December 2016
- Annual Bibliography of Studies in Australian Literature: 1988Essay1 May 1989
- Annual Bibliography of Studies in Australian Literature: 1993Essay1 May 1994
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- Annual Bibliography of Studies in Australian Literature: 1998Essay1 May 1999
- Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van NeervenEssay2 November 2018
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015