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Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

Review of *Bluestocking in Patagonia*, by Anne Whitehead

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

The Return of the Fairy: Australian Medievalist Fantasy for the Young

‘How to encourage our literature’: Australian Fiction in the Australian Public Library

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

In the Club: Australian Crime Fiction in the USA 1943-1954

Phonographic Books and the Late Nineteenth-Century Reader

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce

Review by Martin Duwell

Review of *Charles Harpur, An Australian* by J. Normington Rawling

Review of *The Literature of Australia*, edited by Geoffrey Dutton

Patrick White’s Use of Imagery

Short Notices

Review of various

Review of *James Brunton Stephens* by Cecil Hadgraft

Review of *Panel by Panel: A History of Australian Comics* by John Ryan, *The Golden Years of Ginger Meggs 1921-1952, ed. John Horgan and *The Wild & Woolley Comix Books: Australian Underground Comix* ed. Pat Woolley