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A Mate in Publishing

‘My Little Ghost-Slave’: The Queer Lives of Rosa Praed

An Interview with Chris Wallace-Crabbe

Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*

*The Scent of Eucalyptus*: Gothic Autobiography

‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*

Review of *Black Words, White Page: Aboriginal Literature 1929-1988* by Adam Shoemaker

Preying on the Past: Contexts of Some Recent Neo-Historical Fiction

‘Unrelaxing Fortitude’: Susannah Franklin

My Brilliant Career and Radicalism

Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial Recasting

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic Modernity

Charismatic Masculinity in David Malouf’s Fiction

Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and Literature

Rewriting the Past: Exploration and Discovery in *The Transit of Venus*

‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919

Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*

**Lines and Mines: Poetry and the Making of Civic Community on the Goldfields**

Annual Bibliography of Studies in Australian Literature: 1991