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- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987
- Drama’s Vitallest Expression: The Fiction of Olga MastersEssay1 May 1987
- ‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940sEssay1 October 1989
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Reopening the Case of Ada CambridgeEssay1 October 1987
- Impossible Literary HistoriesEssay1 October 2010
- Urban Influence on Australian Literature in the Late Nineteenth CenturyEssay1 October 1975
- Jindyworobaks and AboriginesEssay1 May 1977
- A SurveyEssay1 October 1977
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*Essay1 May 1991
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Les Murray: A Selective ChecklistEssay1 October 2001
- ‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous MelbourneEssay1 May 2003
- About Face: Asian-Australians at HomeEssay1 May 2002