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- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Italian Immigrants in Australian Fiction 1900-1950Essay1 May 1993
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Interview with Randolph StowEssay1 May 1982
- Annual Bibliography of Studies in Australian Literature : 1964Essay1 June 1965
- The New Dreamtime : Kath Walker in Australian LiteratureEssay1 May 1973
- Vance Palmer and the Unguarded AwarenessEssay1 May 1974
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978
- Australian Criticism in ‘Transition’Essay1 May 1993
- ‘The Folds of Unseen Linen’: The Fabric of Rosemary Dobson’s PoetryEssay1 May 1995
- Jolley’s WomenEssay1 May 2009
- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- Repetition and Christina Stead’s *The Man Who Loved Children*Essay7 December 2016
- What is Australian Popular Fiction?Essay3 December 2018
- Sanctuary and Scars: Salt as a Landscape Element in the Novels and Non-Fiction of Tim WintonEssay2 May 2023
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Henry Kingsley: *Ravenshoe*Essay1 October 1969