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Australian Literary and Scholarly Publishing in Its International Context

Les Murray: A Selective Checklist

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

The Company She Keeps: Demidenko and Imposture in Autobiography

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

Future Tense: *Dead Europe* and Viral Anti-Semitism

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

Reading English

Where Literary Studies Is, and What It Does

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

Daemonic Currents in Dorothy Porter’s Poetry

Irish-Australian Literature: Ghosts, Genealogy, Tradition