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- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You KnowEssay1 November 2009
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Local Moderns: The Jindyworobak Movement and Australian ModernismEssay1 May 2012
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Ern Malley and Les Deliquescences D’adore FloupetteEssay1 May 1991
- Review of *Louis Becke* by A. Grove Day, and *South Sea Supercargo* by Louis Becke, edited and with Introduction by A. Grove DayReview1 May 1968
- Short NoticesReview1 October 1969
- Review of variousReview1 October 1969
- Annual Bibliography of Studies in Australian Literature : 1969Essay1 May 1970
- Review of two books on Norman LindsayReview1 May 1970
- Review of *Australian Literature to 1900: A Guide to Information Sources*, comp. by Barry G. Andrews and William H. WildeReview1 May 1981
- Editors’ Statements [Laurie Clancy]Essay1 October 1981
- A Letter from Shirley HazzardEssay1 May 1986
- Review of *The Oxford Literary Guide to Australia*, general editor Peter Pierce, assistant editor Rosemary Hunter, and twelve associatesReview1 May 1988
- The Historical Source for Ada Cambridge’s ‘The Camp’Essay1 May 1989