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Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*

Jack Lindsay

Impossible Literary Histories

Price Warung: Some Bibliographical Details and a Checklist of the Stories

Some Mary Gilmore Letters

Thoughts on Some Recent Poetry

The ‘Literary Photographs’ of Henry Lawson

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Randolph Stow’s *Outrider* and the French Voyager Poem

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

Australian Literary and Scholarly Publishing in Its International Context

Les Murray: A Selective Checklist

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary History

The Company She Keeps: Demidenko and Imposture in Autobiography

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial