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- Review of *The Sea Coast of Bohemia: Literary Life in Sydney's Roaring Twenties* by Peter KirkpatrickReview1 October 1993
- Review of *Antipodean Encounters: Australia and the German Literary Imagination 1754-1918* by Alan Corkhill, and *German Images in Australian Literature from the 1940s to the 1980s* by Irmtraud PeterssonReview1 May 1992
- Why Australia? Or Against the Fragmentation of English Literary StudiesEssay1 May 2000
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Review of *Henry Handel Richardson: A Life*, by Michael AcklandReview1 October 2006
- Authors’ Statements [Elizabeth Jolley]Essay1 October 1981
- ‘The Kingdom of Dust’: *Voss* as Planetary EpicEssay11 December 2022
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- The Pursuit of Oblivion: In Flight from SuburbiaEssay1 November 1998
- James McAuley’s New Guinea : Colonialism, Modernity and SuburbiaEssay1 November 1998
- Thea Astley’s *An Item from the Late News*: A Fictional Fifth GospelEssay29 October 2020
- Some Volumes of Selected Poems of the 1970s, IIReview1 May 1982
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 October 2009
- Dancing ‘on Bits of Paper’ : Les Murray’s SoundscapesEssay1 October 2001