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Bottling the Forbidden Fruit: Marion Halligan’s Fiction

Short Fiction Short Nation: The Ideologies of Australian Realism

Caesura and the Deforming Poem: Rupture as a Space for the Other

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

The Asian Conspiracy: Deploying Voice/Deploying Story

D. H. Lawrence’s Australia

Barbara Baynton: Woman as ‘The Chosen Vessel’

A Bellyful of Bali: Travel, Writing and Australia/Asia Relationships

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism

Shifting Timescapes and the Significance of the Mine in Alexis Wright’s *Carpentaria*

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

Review of *Australian Poets* series

Lawson, the *Bulletin* and the Short Story

Charles Harpur’s ‘Midsummer Noon’: A Structuralist Approach

Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary Australia

Unknown Australia: Rosa Praed’s Vanished Race

First Steps toward a History of the Mid-Victorian Novel in Colonial Australia

The Time of Biopolitics in the Settler Colony

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*