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What is Australian Popular Fiction?

At the Edge: Geography and the Imagination in the Work of David Malouf

Charles Harpur and the Myth of Origins

Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary Culture

Thomas Keneally: A Checklist

*West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of Movement

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Jack Lindsay and MI5: More than Surveillance

Joseph Furphy, Jacobean

Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*

Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*

Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig Leichhardt

Adam McCay and Sydney’s Literary Bohemia (1911-1947)

Here Beyond My Knowing

A Checklist of Black Australian Literature

Reminiscences of Kenneth Seaforth Mackenzie and E.L. Grant Watson

D.H. Deniehy as a Critic of Colonial Literature

A Pastoral Reading of Christina Stead’s *Cotters’ England*