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- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- Thomas Keneally: A ChecklistEssay1 May 1979
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Jack Lindsay and MI5: More than SurveillanceEssay1 November 2015
- Joseph Furphy, JacobeanEssay1 December 1966
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- Patrick White, Some Lines of Development: *The Living and the Dead* to *The Solid Mandala*Essay1 October 1971
- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982
- Adam McCay and Sydney’s Literary Bohemia (1911-1947)Essay1 October 1984
- Here Beyond My KnowingEssay1 May 1985
- A Checklist of Black Australian LiteratureEssay1 October 1983
- Reminiscences of Kenneth Seaforth Mackenzie and E.L. Grant WatsonEssay1 May 1987
- D.H. Deniehy as a Critic of Colonial LiteratureEssay1 May 1980
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Review of *Australian Literature a Reference Guide*, comp. Fred Lock and Alan LawsonReview1 October 1980
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Anzac, Literary Genre and MemoryEssay1 October 1996