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- An Indian without a CountryEssay1 June 2009
- Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*Essay1 October 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*Essay1 June 2010
- Humanitarian Sex: Biopolitics, Ethics, and Aid Worker MemoirEssay1 June 2011
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- ‘To favourably impress the Oriental mind with western knowledge’: Xiaohai yuebao (The Child’s Paper, 1875-1915) and International Print CultureEssay1 October 2014
- The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862Essay1 October 2014
- Minding Elephants and the Rhetorics of DestructionEssay1 June 2010
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- The Politics of English Studies in IndiaEssay1 June 2013
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary NarrativesEssay1 June 2010
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- ‘Tarrying with the Impossible’: *Daniel Stein, Interpreter* and the Politics of TranslationEssay1 October 2013
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Poetry, Activism and Cultural CapitalEssay1 November 2013
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- Interview with Randolph StowEssay1 May 1982
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004