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- ‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.Essay16 November 2016
- Jack Lindsay’s Historical WritingsEssay1 November 2015
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*Essay1 October 2000
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- Interview with David MaloufEssay1 May 2010
- David Campbell’s Poetic MindEssay1 October 1984
- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Imagining Transcendence: The Poetry of David MaloufEssay1 October 2005
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*Essay1 October 2008
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient MusicEssay1 June 2014
- David Ireland’s *Prisoner’ and *The Flesheaters*Essay1 October 1980
- PreoccupationsEssay1 May 1990