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- Review of *Louisa* by Brian MatthewsReview1 May 1988
- Shirley Hazzard : Dislocation and ContinuityEssay1 October 1979
- Review of *The Mystery of Unity: Theme and Technique in the Novels of Patrick White* by Patricia A. MorleyReview1 May 1973
- Review of *The Stenhouse Circle: Literary Life in Mid-Nineteenth Century Sydney* by Ann-Mari JordensReview1 May 1980
- Ada Cambridge and the First *Thirty Years*Essay1 May 1990
- While My Name Is Remembered…Essay1 November 1994
- Alan Wearne: InterviewEssay1 November 1998
- Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa PetersenReview1 May 2003
- The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*Essay1 May 1999
- Barbara Hanrahan’s NovelsEssay1 May 1983
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Miles Franklin on American Manhood and White Slavery: The Case of ‘Red Cross Nurse’Essay1 May 2007
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- Cosmopolitanism, Sovereignty and MedievalismEssay1 November 2011
- Rediscoverd Lawson Sketch of 1863 ‘Selection Farms’Essay1 October 2012