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- Transforming *Jane Eyre*: Its Australian Stage AdaptationsEssay31 October 2015
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging PhantomsEssay1 October 2004
- Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950Essay1 October 2005
- ‘Our Literary Connexion’: Rosa Praed and George BentleyEssay1 October 2012
- Walter Murdoch : ‘A Humble Protest’?Essay1 October 1993
- ‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary CriticismEssay1 October 1979
- Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political NovelEssay1 October 1970
- Barbara Hanrahan’s NovelsEssay1 May 1983
- Barry Oakley and the Satiric ModeEssay1 May 1975
- The Craftsmanship of Lawson RevisitedEssay1 October 1976
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004