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- Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*Essay23 May 2022
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- ‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)Essay3 October 2024
- Before the Nation: Rolf Boldrewood and the Problem of Scale in National LiteraturesEssay31 October 2015
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Review of *D. H. Lawrence’s Australia: Anxiety at the Edge of Empire*, by David GameReview2 November 2018
- *Geoffry Hamlyn* Through Contemporary EyesEssay1 December 1966
- Editors’ Statements [Nigel Krauth]Essay1 October 1981
- EditorialEssay1 May 1997
- Looking for the History in Literary History: Review of *The Oxford Literary History of Australia*Review1 October 1999
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Review of *The Antipodean Laboratory: Making Colonial Knowledge, 1770–1870*, by Anna JohnstonReview25 May 2024
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- The Poetry of Les MurrayEssay1 May 1985
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996