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‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

Review of *Ida Leeson: A Life - Not a Blue-Stocking Lady*, by Sylvia Martin

Review of *The Third Metropolis: Imagining Brisbane through Art and Literature 1940-1970*, by William Hatherell

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

Review of *Thea Astley's Fictional Worlds*, edited by Susan Sheridan and Paul Genoni

Review of *A Companion to Australian Literature since 1900*, edited by Nicholas Birns and Rebecca McNeer.

Review of *The Anthology of Colonial Australian Romance Fiction*, edited by Ken Gelder and Rachael Weaver

Review of *The Empire Actors: Stars of Australasian Costume Drama 1890s-1920s*, by Veronica Kelly

Review of *Republics of Letters: Literary Communities in Australia*, edited by Peter Kirkpatrick and Robert Dixon

Review of *The Burning Library: Our Great Novelists Lost and Found*, by Geordie Williamson

Review of *Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist*, by Brigitta Olubas

Review of *Angus & Robertson and the British Trade in Australian Books, 1930-1970. The Getting of Bookselling Wisdom*, by Jason D. Ensor

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

‘Odysseus from the Outback’: *Fredy Neptune* in German and Its Critical Reception

**‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

Review of *Half the Perfect World: Writers, Dreamers and Drifters on Hydra, 1955-1964*, by Paul Genoni and Tanya Dalziell

A New Light on ‘The Orange Tree’?

Authors’ Statements [Gerard Lee]

Review of *The Passing Guest: A Life of Henry Kingsley* by J.S.D. Mellick