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The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*

‘Sweet Mary of Kilmore’: Discrimination in Australian Folklore Scholarship

Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential Friend

Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna Mead

Picturising Patois in *The Sentimental Bloke*

Editing A.D. Hope

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

‘But who considers woman day by day?’: Australian Women Poets and World War I

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

**The ‘Settler Problem’: Country and the (Im)Possibilities of a Settler Ecopoetics**

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

The Traditionalism of James McAuley

A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

A New Map of Australia: The Plays of David Williamson

War Correspondents in Australian Literature: An Outline

Family and the Father in the Poetry of Les A. Murray

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*