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Three Talks : David Malouf, Les Murray and David Rowbotham : David Malouf

Art as Reflection in Jessica Anderson’s *Tirra Lirra by the River*

Oodgeroo’s Work and Its Theatrical Potential

‘The Fullness of Life’: The Poetics and Politics of Jack Lindsay

*Fredy Neptune*: Metonymy and the Incarnate Preposition

In the Beginning: David Malouf’s *An Imaginary Life*

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

The Language of Music: Helen Garner’s *The Children’s Bach*

An Interview with Christopher Koch

Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of Performance

A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

David Malouf’s *Child’s Play* and ‘The Death of the Author’

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

The Modernist *roman à clef* and Cultural Secrets, or, I Know that You Know that I Know that You Know

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

An Indian without a Country

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Valerie Solanas and the Limits of Speech

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*