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- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Last Flight to Byzantium: *Memoirs of Many in One*Essay1 June 1991
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Disciplined Action? The Challenges of English at Canterbury and BeyondEssay1 June 2013
- Self-Propagation and Self-Dissolution: The Paradox of Patrick White’s *Flaws in the Glass*Essay1 October 2013
- Ocean of StoryEssay1 October 1981
- The D.H. Lawrence - P.R. Stephensen LettersEssay1 May 1984
- Three Talks : David Malouf, Les Murray and David Rowbotham : David MaloufEssay1 May 1984
- Art as Reflection in Jessica Anderson’s *Tirra Lirra by the River*Essay1 May 1986
- Oodgeroo’s Work and Its Theatrical PotentialEssay1 November 1994
- ‘The Fullness of Life’: The Poetics and Politics of Jack LindsayEssay1 November 2015
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- An Interview with Christopher KochEssay1 May 1997
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014