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Displaying the Monster: Patrick White, Sexuality, Celebrity

Interview with David Malouf

David Campbell’s Poetic Mind

God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’

Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*

Patrick White’s Novels and Nietzsche

Hal Porter, *The Tower* and the Quintessence of Porterism

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Imagining Transcendence: The Poetry of David Malouf

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*

‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

David Ireland’s *Prisoner’ and *The Flesheaters*

Preoccupations

Growing Up with Our Sister Kath - Oodgeroo

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

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