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- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Review of *God's Fool: The Life and Poetry of Francis Webb* by Michael Griffith, and *Spirit in Exile: Peter Porter and His Poetry* by Bruce BennettReview1 October 1992
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Review of *Catching Butterflies: Bringing Magical Realism to Ground*, by Maria TakolanderReview1 June 2009
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Authors’ Statements [Elizabeth Jolley]Essay1 October 1981
- Authors’ Statements [Peter Carey]Essay1 October 1981
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- A Note on A.C.’s *Echoes* and Ada CambridgeEssay1 October 2012
- Review of *Cultural Translation and Postcolonial Poetry*, by Ashok BeryReview1 October 2010
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Books as Gifts: The Meaning and Function of a Personal LibraryEssay1 October 2012
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- Review of *Out of Eden: Henry Lawson's Life and Works* by Xavier PonsReview1 May 1985
- The Reviewer and Miss RobertsonEssay1 May 1984