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- Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’Essay1 May 1992
- Theory as Fireworks: An Interview with Brian CastroEssay1 May 2002
- Writing Disability in Australia: Transmedial Potentials for Illness/Recovery NarrativesEssay23 May 2022
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- Thomas Keneally: A ChecklistEssay1 May 1979
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Martin Boyd: A ChecklistEssay1 October 1972
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Roy Bridge’s Fictions of Van Diemen’s LandEssay1 October 2000
- ‘untranscended / life itself’: The Poetry of Pam BrownEssay1 October 2005
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007