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Review of *Book Publishing in Australia: A Living Legacy*, edited by Millicent Weber and Aaron Mannion

Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’

Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’

New Directions: Introduction

Mary of Kilmore

**‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Un/making Sexuality: *Such Is Life* and the Observant Queer Reader

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

The Impact of Literature

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

Ern Malley and Les Deliquescences D’adore Floupette

James Lester Burke, Author of *Martin Cash*

Three Talks: David Malouf, Les Murray and David Rowbotham: David Rowbotham

Review of *Australian Literature to 1900: A Guide to Information Sources*, comp. by Barry G. Andrews and William H. Wilde

Editors’ Statements [Douglas Stewart]

Review of *The Oxford Literary Guide to Australia*, general editor Peter Pierce, assistant editor Rosemary Hunter, and twelve associates