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- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- Australian Literature: A Preliminary Subject ChecklistEssay1 October 1984
- Annual Bibliography of Studies in Australian Literature: 1997Essay1 May 1998
- Annual Bibliography of Studies in Australian Literature: 2001Essay1 May 2002
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- Society of Women Writers 1925-1935Essay1 May 2004
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Annual Bibliography of Studies in Australian Literature: 2002Essay1 May 2003
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- ‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into ItalianEssay25 February 2018
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- The Writing of CapricorniaEssay1 May 1970
- Oodgeroo: Orator, Poet, StorytellerEssay1 November 1994
- *The Scent of Eucalyptus*: Gothic AutobiographyEssay1 May 1990