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- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- Shirley Hazzard: Transit and *The Bay of Noon*Essay1 October 1987
- Olivia and Chloe: Fictions of Female FriendshipEssay1 May 1989
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- ‘How to encourage our literature’: Australian Fiction in the Australian Public LibraryEssay1 May 2012
- Australian Literature: A Preliminary Subject ChecklistEssay1 October 1984
- Annual Bibliography of Studies in Australian Literature: 1997Essay1 May 1998
- Annual Bibliography of Studies in Australian Literature: 2001Essay1 May 2002
- Historical Figures, Archives and Australian Disability Life Writing: Reading Jessica White’s *Hearing Maud* and Writing *Hysteria*Essay23 May 2022
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- Society of Women Writers 1925-1935Essay1 May 2004
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Annual Bibliography of Studies in Australian Literature: 2002Essay1 May 2003
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021