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Gender Buttons

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

Short Notices

Short Notices

Christina Stead

Review of *The Australian Stage: A Documentary History*, ed. Harold Love

Review of *The Australian Short Story before Lawson*, ed. Cecil Hadgraft

Review of *Louisa* by Brian Matthews

Review of new books on Australian women's writing

A Bibliography of Barbara Baynton

Review of *Ulysses Bound, Henry Handel Richardson and her Fiction* by Dorothy Green

Bringing Franklin Up to Date: The Film of *My Brilliant Career*

Review of *Sumner Locke Elliott: Writing Life. A Biography*, by Sharon Clarke, and *Pioneer Players: The Lives of Louis and Hilda Esson* by Peter Fitzpatrick

Re-Imagining Indigenous Australia through the Short Story: *Heat and Light* by Ellen van Neerven

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

Miles Franklin, *My Brilliant Career* and the Female Tradition

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*